Special Thanks: Spencer Hattendorf, Jake Aron, Andrew Lappin, Charlie Ellis, Brama Sukarma, Dylan Bostick, Our Families.
#WAXWORKS VINYL FULL#
Some of these songs will eventually make their way to streaming, but the mixtape will be available in full exclusively here on Bandcamp. With that in mind, all proceeds from digital sales will go towards Bushwick Ayuda Mutua, a mutual aid group serving the community where we’ve lived and worked as we made this record. Waxworks is a document of an era that started with a burst of creativity and ended in quarantine, so it’s fitting to release it now, looking down the barrel of a long winter that has hit our local community particularly hard. We incorporated contributions from past and present members of the band as we embraced a newly fluid and collective identity, looking towards Elephant 6, the big Canadian collectives of the early aughts, and Stiff records for musical inspiration. Guided by these limitations, we found new freedom in our creative process, writing collaboratively, switching instruments, and stretching out into different sonic territories-guitar-less shoegaze, Philly-style soul, pub rock. Our only directive was to write and record songs with only the tools at hand: a handful of microphones, an old multi-channel Zoom interface, and the acoustically raw practice space in the East Williamsburg Industrial Park that we’ve occupied for the past several years.
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We wanted to make the recordings definitive, but we knew that if we strayed too far from our scrappy demos we might never finish the job, or else end up betraying what was good about the songs in the first place. Songs that started out as sketches on Jason’s iPad suddenly sounded surprisingly good, better than what we thought we could achieve on our own. Late in the process of putting together this mixtape, it dawned on us that we had been gradually moving the goalposts for what we set out to achieve. I’ve got some notions I don’t dare to mention That’s somebody else’s backseat confession I didn’t mean to be so indiscrete with youĪnd if they follow you, may you run fast and true 1 by Wet Leather, released 15 January 2021 1. The schoolyard is full of kids this morningĪnd all the cities crumble back into dust They’ve turned their backs on you at last We could never get it back in the first placeĪnd all your old friends are gone for good That's not the reason that brought you hear tonight If I was evil you'll forgive me by and by From Birstall, Charnwood 36 min From Bradgate Park & Swithland Wood Country Park, Charnwood 86 min From Glenfield Hospital, Leicester 41 min From David Lloyd Narborough, Blaby 81 min From.
#WAXWORKS VINYL HOW TO#
Was it worth all the trouble that you gave? How to get to Waxworks Vinyls by Bus Click on the Bus route to see step by step directions with maps, line arrival times and updated time schedules. There is a good life but they keep it hid You left the underside you left the skids That's not the reason that brought you here tonight All records have some problems, but in this case the imperfections and noise are both so great that their impossible to ignore.
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Granted, vinyl is an imperfect, physical medium. You told me secrets, I couldn't hear a soundįeeling nervous white knuckles on the dash Unfortunately, the Waxworks release a noisy affair, with countless pops and crackles that suck away any tense feeling the quiet parts may have built otherwise. Romero, composer liner notes from John Harrison, 34 retro synth-horror driven tracks, 180 gram colored vinyl, printed inserts, and is loaded with artwork by Ghoulish Gary Pullin.There were moments that made me want to live This deluxe 2017 re-press of CREEPSHOW features high quality packaging with heavyweight old-style tip on gatefold jackets with a built-in booklet page, director liner notes from George A. Re-mixed and re-mastered for vinyl, CREEPSHOW has never sounded better, and features every piece of score music from the classic 1982 CREEPSHOWepisodes “Father’s Day”, “The Lonesome Death Of Jordy Verrill”, “The Crate”, “Something To Tide Your Over”, and “They’re Creeping Up On You”. Originally pressed and released in 20 by Waxwork and quickly sold out, Waxwork Records worked exhaustively with director George Romero and composer John Harrison to develop, for the very first time, the definitive CREEPSHOW soundtrack experience.īy collaborating with composer John Harrison ( Day Of The Dead, Tales From The Darkside), Waxwork Records located the original 1982 master tapes in an attic in Pittsburgh which were thought have been lost forever. Romero and Stephen King’s seminal 1982 horror-anthology classic, CREEPSHOW. Waxwork Records is thrilled to present the deluxe soundtrack re-press of George A.